The DeGRAFF FREE
State Route 235/
Phone: (937) 585-4463
James R. Roby, Pastor
Modernism Takes a New Form: Contemporary
Music
By VICTOR E.
SEARS
Forty years ago when I first entered the ministry,
the word
"modernism" was on the lips of every fundamentalist. The word had a connotation relative to the trends of
apostasy as we saw
them in many of the great denominations and such organizations as the Federal Council of Churches
(now the National
Council of Churches) and the World Council of Churches. Individual names such as Harry Emerson Fosdick, Harry Word, E. Stanley Jones, and others became synonymous with our exposure of modernism or
apostasy.
Many great pulpiteers and
Bible expounders became well
known for their battle against modernism. Included among these were T. T. Shields, J. Frank Norris, Sam
Jones, Harvey Springer,
Carl Mclntire, Bob Ketchum, Bob Jones, Art Wilson,
Noel Smith, Archer Weniger, Henry Grube,
Major Edgar Bundy and a host of others
too numerous to list. All
of these men have been of my personal acquaintance and some have been very close friends.
They fought seemingly insurmountable battles against
apostasy and unbelief in denominations
and councils. These men
were giants in their day. They fought those who would bring false doctrines into our churches and those
who would attempt INCLUSIVE policies of fellowship between fundamentalists and modernists. The lines were
definitely drawn so
that people knew unequivocally the difference between fundamentalists, neoevangelicals,
and modernists. Today
these lines are fast becoming obliterated.
Now, there is a new form that modernism and apostasy
has taken to creep surreptitiously
into our churches and destroy their scriptural
testimony. This time it does not come in the form of preaching or teaching, but
rather in the carnal production of the MUSICAL program from many church
platforms.
Much of the singing heard today by choirs and
specials on the
average church platform is what is known either as contemporary or as "soft rock" and is
often backed with the sound
of "canned music" that could be produced by the average dance or disco band at the corner
HONKEY-TONK.
In my personal estimation, such noise or racket
(certainly not music)
is a polluting stench in the nostrils of a holy God. With its sensual tones,
jungle beat, arid night club presentation, it appeals to the FLESH rather than to the spirit. It
motivates the CARNAL
instead of the spiritual. The sad truth is that most of this new contemporary, soft rock, offbeat
style of music was
connived in hell, hatched among the charismatic crowd, arid printed in their publishing houses. Good
fundamental Baptists and others that refuse the teachings of the charismatic crowd concerning tongues, signs,
visions, and so forth
are now singing their music in our churches and preparing our people for the world, the flesh, and
the devil. It is the
new TROJAN HORSE move of modernism to deaden our churches to spiritual truth. lchabod can be written over most of its lyrics and notes.
The sad part of this is that many
pastors are NOT
AWARE of what is taking place. A lot of these musical arrangements (arranged by the charismatics) come in
the form of
"canned music" with the sound of drums, amplified guitars, plus other
instruments with the OFFBEAT of the JUNGLE just like you would expect to hear in the
HONKEY-TONK SALOON.
I have heard several people say that it carries the
same beat that they used to dance with before they were
saved. Much of this so-called music
cannot be distinguished from
what Elvis Presley and other rock singers used. There is a sort of hippy-oriented "pop" flavor that
is disgusting to any consecrated
Christian and must be repulsive to Almighty God.
Too many soloists and groups singing such music put
on the poise and style of
The average musical group turns up the public
address system so high
that it destroys all hearing of the words and receiving of a message. I heard
B. R. Lakin say in
The words of most of this
contemporary music used in our churches is shallow, unscriptural, and
even heretical. Someone said recently that "weak preaching always goes
along with worldly music." That,
I believe, is the truth. Just as years ago we preachers lifted up our voices
against modernism as
depicted by the National Council and World Council of Churches, so today we preachers need to
"rise up like a
tomcat spitting tobacco juice in a bull dog's eye" and start preaching against the modernistic evil of most
contemporary and all rock music in our churches.
We used to say that the musical program of the
church prepared the
way for the pastor's sermon. I believe God holds the preacher responsible for
what goes on on the platform
of his church.
Possibly we need to tie a knot in the tail of some
of our song leaders.
Some of them have gone far too worldly in their musical programs. Let's get
back to the old time gospel hymns and singing that stirs the heart, brings glory to God,
and draws us closer to Him. The old
time hymns like "Rock of Ages," "The Old Rugged Cross," "Throw Out the Life Line," and "When the Roll Is Called
Up Yonder" are still relevant in this dark Laodiciean age.
"Thus
saith the Lord, Stand ye in the ways, and see, and ask for the
old paths, where is the good way, and walk therein, and ye
shall find rest for your souls . . ."
-- Jeremiah 6:16